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Chaincourt Theatre

Jul 3 2026
- 11.07.2026

Chaincourt Theatre - Summer Semester 2026 production

"Missing Persons"

“In life, it's not the future that counts.  It's the past."

The Chaincourt Theatre Company brings to the stage an adaptation of Patrick Modiano's novel Rue des Boutiques Obscures (Prix Goncourt 1978) under the name Missing Persons

What makes up a life, materially and immaterially?  To what, if to any of this, do we have access when it's all said and done?  In this play, Guy Roland, a private detective in Paris, tries to solve the mystery of his own past.  His memories erased by amnesia, he has no idea where he is from, or even his real name.  His search leads him to shadowy figures, also at odds with their past, who pass onto him mementoes, photographs, documents, and stories which provide him with missing pieces of his fractured identity.  Over the course of the play, Guy Roland's task is to make sense of it all.

Born in Boulogne-Billancourt, France in 1945, Patrick Modiano's more than forty works deal with individual and collective identities as well as with memory and loss.  Patrick Modiano was the recipient of the Nobel Prize for Literature in 2014

The Chaincourt Theatre Company is made up of students from various faculties, alumni, and staff from Goethe University.  The company has produced under this name since the mid-1990's.  Prior to this time, it was known as IEAS Theatre.  Irrespective of name, the company has brought English language theatre to Frankfurt audiences since 1955.

Performances:  Opening night is on July 3rd; additional performances are on July 4th, 9th, 10th, and 11th (closing night).  Curtain is at 7:30 p.m.

Tickets:  10€ (general admission) and 5€ (reduced); tickets are only available at the box office one hour before curtain (6:30 p.m.); no advance ticket sales.

Location:  Goethe University, Campus Westend, IG Farbenhaus-Nebengebäude, room NG 1.741

Contact:  James Fisk (Artistic Director); fisk@em.uni-frankfurt.de

NELK

Eva von Contzen_guestlecture_profile
June 23, 6pm
Campus Westend, IG 3.14 (Eisenhower Room)

What does it mean to retell a story? In recent Anglophone literature, retellings have become extremely popular, from Pat Barker's The Silence of the Girls to Percival Everett's James. Retellings use existing, often much older, narrative material, and tell the story anew by adapting it to the needs and expectations of a contemporary readership. Placing the current trend of retellings in its wider context of literary history, I argue that repetition is the key generator of meaning in the retelling process. 

Eva von Contzen is professor of English Literature including the literature of the Middle Ages at the University of Freiburg. She is PI of the ERC-funded project “Retelling and Repetition (DERIVATE)". Her research interests include narrative theory, literary history, reception studies, retellings, and lists. 

NELK

Jun 11 2026
16:00

Postcolonial/postsocialist memories as constellations. Reading ‘returning transitions’ in Anglophone and Russophone literatures

Ksenia Robbe (Groningen University): New Frontiers in Memory Studies: Ksenia Robbe on postcolonial/postsocialist memories as constellations

Ksenia Robbe_guestlecture_profile
June 11, 4pm
Campus Westend, Casino 1.812

This talk will reflect on the study of intersections between memories of the Cold-War aftermaths in postcolonial and postsocialist contexts and will propose 'constellational reading' as an approach for discerning and initiating dialogues across such diverse locations. Drawing upon my research on contemporary literatures from South Africa and Russia and through several examples, I will outline how this reading can illuminate global connections between memory practices that centre on the 'transitions' from apartheid and state socialism. Inspired by Walter Benjamin's ideas and applied to memory studies, this method, I will suggest, can yield interpretative tools for reading trans-regionally against geopolitical narratives. 


Ksenia Robbe is a Senior Lecturer in European Culture and Literature at the University of Groningen and currently a Humboldt Fellow at Goethe-University Frankfurt. Her research sits at the intersection of postcolonial and postsocialist studies, with the focus on concepts and practices of memory, time, gender, and feminism in literature and film.


(Photo credit: Ronnie Zeemering)

Events

Jun 5 2026
15:00 - 06.06.2026 16:00

Opening Conference: Aesthetics of Democracy

American Studies

The talk begins from the contemporary centrality of artificial intelligence in American culture, society, politics and the economy. While often framed in terms of cognition or automation, AI is, at its core, a statistical enterprise: it operates through probabilistic inference, pattern recognition and the aggregation of large-scale data. The apparent novelty of AI thus invites a longer historical question: how has American culture imagined the relationship between individual experience and statistical abstraction? The talk will trace the effort to mediate between personal life and large-scale social patterns through statistical forms of knowledge. Such statistical imagination extends beyond formal statistics as a discipline, permeating also visual culture and aesthetic practice. It reflects a recurring desire to render a complex, heterogeneous society legible by linking the concrete and the abstract, the experiential and the systemic.