NELK
A special issue to appear in Memory Studies Review
More recent work in memory studies has highlighted collective memory across the globe, theorised the multidirectional memory of empire, centred anti-colonial countermemories and suggested more diverse ways of 'doing memory' (e.g. Adebayo 2023, Kahan 2024, Mwambari 2023, Ndlovu et al. 2024, Pandurang 2020, Rothberg 2014, Wegner et al. 2025). Drawing from postcolonial and decolonial thought, as well as Southern theory, these contributions have sought to provincialise and complicate the canon of memory studies. Increasingly, postcolonial and decolonial interventions have made their way into the institutions of memory studies–for example, the Memory Studies Association hosts every alternate annual meeting outside of Europe, and convenes regional associations in Africa, Southeast Asia, and Latin America.
NELK
What does it mean to retell a story? In recent Anglophone literature, retellings have become extremely popular, from Pat Barker's The Silence of the Girls to Percival Everett's James. Retellings use existing, often much older, narrative material, and tell the story anew by adapting it to the needs and expectations of a contemporary readership. Placing the current trend of retellings in its wider context of literary history, I argue that repetition is the key generator of meaning in the retelling process.
Eva von Contzen is professor of English Literature including the literature of the Middle Ages at the University of Freiburg. She is PI of the ERC-funded project “Retelling and Repetition (DERIVATE)". Her research interests include narrative theory, literary history, reception studies, retellings, and lists.
NELK
Postcolonial/postsocialist memories as constellations. Reading ‘returning transitions’ in Anglophone and Russophone literatures
Ksenia Robbe is a Senior Lecturer in European Culture and Literature at the University of Groningen and currently a Humboldt Fellow at Goethe-University Frankfurt. Her research sits at the intersection of postcolonial and postsocialist studies, with the focus on concepts and practices of memory, time, gender, and feminism in literature and film.
NELK
May 28, 4pm
Campus Westend, Cas 1.812
NELK
NELK
A special issue to appear in Memory Studies Review
More recent work in memory studies has highlighted collective memory across the globe, theorised the multidirectional memory of empire, centred anti-colonial countermemories and suggested more diverse ways of 'doing memory' (e.g. Adebayo 2023, Kahan 2024, Mwambari 2023, Ndlovu et al. 2024, Pandurang 2020, Rothberg 2014, Wegner et al. 2025). Drawing from postcolonial and decolonial thought, as well as Southern theory, these contributions have sought to provincialise and complicate the canon of memory studies. Increasingly, postcolonial and decolonial interventions have made their way into the institutions of memory studies–for example, the Memory Studies Association hosts every alternate annual meeting outside of Europe, and convenes regional associations in Africa, Southeast Asia, and Latin America.
NELK
What does it mean to retell a story? In recent Anglophone literature, retellings have become extremely popular, from Pat Barker's The Silence of the Girls to Percival Everett's James. Retellings use existing, often much older, narrative material, and tell the story anew by adapting it to the needs and expectations of a contemporary readership. Placing the current trend of retellings in its wider context of literary history, I argue that repetition is the key generator of meaning in the retelling process.
Eva von Contzen is professor of English Literature including the literature of the Middle Ages at the University of Freiburg. She is PI of the ERC-funded project “Retelling and Repetition (DERIVATE)". Her research interests include narrative theory, literary history, reception studies, retellings, and lists.
NELK
Postcolonial/postsocialist memories as constellations. Reading ‘returning transitions’ in Anglophone and Russophone literatures
Ksenia Robbe is a Senior Lecturer in European Culture and Literature at the University of Groningen and currently a Humboldt Fellow at Goethe-University Frankfurt. Her research sits at the intersection of postcolonial and postsocialist studies, with the focus on concepts and practices of memory, time, gender, and feminism in literature and film.
NELK
May 28, 4pm
Campus Westend, Cas 1.812
NELK